Mary McCaslin's Roundup

June 27, 2002

 

 

WHO SAYS CHANGE IS GOOD?

            Last Friday I listened to KZSC Bushwackers Dan Orange and Sleepy John discuss the serious blow to radio sation KAZU's local programming. Talking with them were Clytia Fuller and Robin Roberts. Clytia's show, Heaven's Bar & Grill, follows the Bushwackers each Friday morning on KZSC.

            Robin Roberts and J. T. Mason have co-hosted the Roadside Cafe on KAZU  weekday mornings for the last couple of years. And both have hosted other shows on that station in the past.

             J. T.'s program, My Sister's House, aired Thursday mornings for many years. It was a beloved part of the great selection of folk / acoustic radio shows heard on the Monterey Bay airwaves. 

            As of Monday, June 17, what had been coming for some time finally occurred. The powers that be, in the person of John McNally and the CSU Monterey Bay Foundation, finally put the screws to KAZU's remaining local programming and have greatly expanded NPR and PRI programming. For months they had been downsizing long running shows such as Out on the Dusty Trail. Last year Dusty Trail was moved from Wednesday afternoons to Saturday afternoons, seemingly to usher on Prairie Home Companion. Dusty Trail lost an hour in that transition, going from three hours on Wednesdays to two hours on Saturdays and was about to be cut down to one hour, ten minutes of which would be devoted to news.

            Long time Dusty Trail host, Mike McKinley, along with co-host Mark Varner, decided to forgo the hour long drive from the Santa Cruz area to Pacific Grove each week to be on the air for less time than it took to get there. To me it felt like Mike and Mark were driven off of the air.

            This is just one of the beloved programs that made KAZU what it used to be. Steve Kane's great Rock `n' Roll Hospital got the ax and Sunday afternoon's Rags to Wishes is also gone from the program schedule that I downloaded from the KAZU web site. Other local programs will get the same treatment: either complete removal from the air waves, or a substantially reduced time slot with re-scheduling to fit between all that NPR programming. Looking at this program schedule, I don't see many local programs listed other than the Roadside Cafe and a sprinkling of half hour talk shows.

            From eight to ten on week nights there is a large block that just says "Music". From ten to midnight for all seven nights of the week there is another block that says "Music". I guess what music it will be is yet to be determined.

            I'm sure that one argument that McNally and his allies will rely on for purging the local shows from the KAZU airwaves is that these types of shows can be heard on other radio stations throughout the Monterey Bay. Radio station KUSP carries a bluegrass show, the Pataphysical Farm, which airs Sunday afternoons.  And KUSP also airs Cindy Odom's Celtic show on Saturday mornings, so why burden KAZU's schedule with a Celtic show? Why indeed.

            That very logic should be reason enough  for KAZU to carry the BBC World News Service and dump at least some of the NPR programming because it's already being heard on KUSP and KQED. One is left to deduce that this big change must be tied to a substantial permanent financial upgrade for the station and by extension, its management staff.

             I cannot believe that the radio listeners of the Monterey Bay have not been aware that KUSP and KQED already carry NPR programming. Between those two stations the broadcast area from Santa Cruz to Big Sur is well served with a healthy portion of NPR.  So why would KAZU listeners insist on a change from the unique local programming that was the hallmark of the station to something they could hear in two other spots on the radio dial?

            Two strong memories of KAZU come to mind, one very recent and one a couple of years old. The recent memory is of my in studio visit and interview with Robin Roberts on Thursday, June 13. After many attempts over the last year to make it down to KAZU, I finally got there to play a couple of songs and talk about the Girls From Santa Cruz benefit concert that I was playing with Ginny Mitchell and Lacy J. Dalton on that coming Saturday.

            Like most performers, I have been interviewed many times. Some interviews are great, some are ok and some are best forgotten. My interview with Robin was a true highlight. She was focused without being  intrusive, asking questions that I appreciated as her subject and would have appreciated as a listener. She also made a very astute observation about how performers singing live during  radio interviews do not look her in the face. I had noticed myself closing my eyes or looking down or up or anywhere other than at the dj during interviews over the years, but Robin was the first interviewer to bring it up. Certainly I would not have mentioned it, but she did. I explained that while it may seem that performers appear to be looking the audience "in the eye", they may be looking  just above the heads of those seated in rows of chairs in front of them.

             Robin made sure that the concert I was there to promote was mentioned often and with all pertainant info. Her interviewing style is friendly and sincere and it was one of the most enjoyable interviews I've done in recent years.

            The other memory I have of "the old KAZU" was driving down HWY 1, returning to Santa Cruz from a gig in Sonoma a couple of years ago. Rags to Wishes was on the air and I was passing the section of beach where the hang gliders congregate and fly overhead. The dj was playing some great vintage `30s or `40s music and it was one of those memorable scenes. The music with the beauty of the area and all those hang gliders was just really something.

            I guess memories are all we are going to have of a once great radio station.

 

GRATEFUL DAWG

            If  you missed Grateful Dawg when it played at the Nickelodeon last year, or would like to see it again, it is now available to rent on video. This documentary, filmed by David Grisman's daughter Gillian, is a chance to see a marvelous piece of music history. I could watch it many more times and enjoy it every time.

            The music was great and the respect these two musicians had for each other and the music they played together was a joy to behold. This piece was shot over a period of years, judging from the various shades of gray in Grisman and Garcia's hair. In some scenes David's hair was a lot darker than in others, and I just cannot see either him or Jerry dipping into the Grecian Formula.

            When Grateful Dawg was released some reviewers were critical of the fact that nothing about Jerry Garcia's drug use was included in the documentary and it just focused on the musical history shared by these two tremendously talented musicians. Personally, I found the exclusion of drug references very refreshing.

            What Jerry Garcia gave to the world was a substantial legacy of great music. The same is true of David Grisman. And what shines through over and over is how much Jerry Garcia truly loved traditional folk music. That's good enough for me.

 

THE OTTER OPRY

            Speaking of David Grisman, there is a connection between David and our very own local bluegrass concert series, the Otter Opry. This connection is guitarist Eric Thompson, who was in the New York Ramblers back in the 1960s with David Grisman. In fact, there are a couple of photos of Eric with David and other young bluegrass musicians shown briefly in the aforementioned Grateful Dawg documentary.

            On the night of Wednesday, July 3rd the Otter Opry presents its third concert featuring the Bluegrass Intentions. Members of the band include Eric and Suzy Thompson, who play dynamite fiddle and is a great singer. Former member of the Dry Branch Fire Squad, Bill Evans plays banjo. The group is rounded out by Alan Senauke, who is an extrordinary vocalist and High Country's longtime banjo player, Larry Cohea, who plays bass with the Intentions.

            The Sibling Bros. open the show, which will take place at the Santa Cruz Veterans Hall in downtown Santa Cruz. The music starts at 8 p.m. and kids under 12 are free.  Call 338-0618 for more info.

            Here's another name coincidence: A few weeks ago, a singer named Eric Thompson played up at Henflings. The Eric Thompson in the Bluegrass Intentions is not the same person, though both have connections  to the Grateful Dead.

            Well, that's about it for now. Stay in touch. Happy Trails.

 

E-mail Mary McCaslin at roundup@marymccaslin.com